Friday, April 25, 2014

Instagram - Week Two

Today on my lunch break I was at a thrift store and I posted a group of record covers on Instagram. They cracked me up. Then, back at work I saw a WSJ article, The Rise of The Shelfie, noting Instagram's part in everyone creating catered peeks into life moments. I found my cheeks burning as the article noted: "Instagrammers often slip their eyeglasses into the mix, likely as a stand-in for themselves" - see two posts down....

While much of the article focused on the unhealthy obsession of Instagrammers - "These photos, portraits of one's taste, are a twist on selfies, hopeful bids for attention in which one's aesthetic and one's ego overlap." - it ends with a pointed excoriation of the mundane shelfie, listing all the arrangements that are overdone, overwrought, booooring. The worst crime of the shelfie, it seems, is not in the obsessive taking of, but in unoriginality.

Unoriginal. Do not be that. Have a clever joke. Have a new point of view. Have an on-trend, but not cookie-cutter fashion sensibility. This is burdensome. We are repetitive creatures. Our friendships, our insights, our highs, our lows, our daily existences are full of repetition. It's what makes us human. It's what keeps us sane. And yet, I am to be filled with shame for not becoming more and more original every day.

Those records I thought were funny? A million other people would think so, too. Would take the exact same pictures. Or better ones. The stack of books, the perfect martini, the scowling baby. Done and done and done and done and done. Sure, it gets boring scrolling through a thousand variations on the same ordinary human moments created by all of us unique individuals. But, there is also something striking in our ability to be continually moved by ordinariness, to want to capture the loveliness of the moment with that cup of coffee and muffin (as if they were the only coffee and muffin we'd ever enjoyed); to express the satisfaction of a well-made bed; the glee of a perfect vintage find. We, as a whole, keep thinking these ordinary things are amazing. And,  I think they are. They really are.

A co-worker noted that a 'selfie' is something you take when you are excited and alone - like if you are in Paris by yourself or some other important occasion or big feeling that only you are involved in. She said it in seriousness but we all, including her, laughed. In recognition, in embarrassment, in futility.

We cannot capture our time, our days, our beauty. They slip past at an unnerving pace. When the the cherry trees bloom in my backyard, tangling their white and pink branches together and overwhelming the whole view from the office window with radiant spring...I feel I could never see them enough, I fear I will never see them again. I reach for the camera. I want to see, I want to always see.

Almost as strongly, I want others to see what I see. To also find life good, beautiful, troubling, fleeting, along with me, along side me.

Wendell Berry wrote an essay before our internet and iPhones (ancient days) that noted tourists can be so intent on capturing the Grand Canyon or other breathtaking monument, that they did not see the Grand Canyon. They did not let it get to them beyond the lens, the shutter, the click.

We can stay on the outside of experience by always seeking its most flattering angle. Perhaps we should become more at ease with ordinary beauties unfolding just they are, uncaptured, unrecorded, and then, as is their right, to slip away, trusting that there are many more to come.

Thursday, April 24, 2014

Sleep that knits up the ravell'd sleeve of care

If one believed in angels one would feel that they must love us best when we are asleep and cannot hurt each other; and what a mercy it is that once every twenty-four hours we are too utterly weary to go on being unkind. The doors shut, and the lights go out, and the sharpest tongue is silent, and all of us, scolder and scolded, happy and unhappy, master and slave, judge and culprit, are children again, tired, and hushed, and helpless, and forgiven.

And see the blessedness of sleep, that sends us back for a space to our early innocence. Are not our first impulses on waking always good? Do we not all know how in times of wretchedness our first thoughts after the night's sleep are happy, and we wake with a smile, and stare still smiling for a moment at our stony griefs before with a stab we recognize them.

Elizabeth von Arnim, The Solitary Summer

Saturday, April 19, 2014

Your Mind is a Palace

Mr. O'Halloran can't lie. He's the headmaster. All these years we were told the Irish were always noble and they made brave speeches before the English hanged them. Now Hoppy O'Halloran is saying the Irish did bad things. Next he'll be saying the English did good things. He says, You have to study and learn so that you can make up your own mind about history and everything else but you can't make up an empty mind. Stock your mind, stock your mind. It is your house of treasure and no one in the world can interfere with it. If you won the Irish Sweepstakes and bought a house that needed furniture would you fill it with bits and pieces of rubbish? Your mind is your house and if you fill it with rubbish from the cinemas it will rot in your head. You might be poor, your shoes might be broken, but your mind is a palace.          
Angela's Ashes, Frank McCourt

The good critic - and we must all try to be critics, and not leave criticism to the fellows who write reviews in the papers - is the man who, to a keen and abiding sensibility, joins wide and increasingly discriminating reading. Wide reading is not valuable as a kind of hoarding, an accumulation of knowledge, or what is sometimes meant by the term 'a well-stocked mind'. It is valuable because in the process of being affected by one powerful personality after another, we cease to be dominated by any one, or by any small number. The very different views of life, cohabiting in our minds, affect each other, and our own personality asserts itself and gives each a place in some arrangement peculiar to ourself.
Religion and Literature, T.S. Eliot